Hey guys, first of all apologies for the blogfade, I’ve been really busy, especially since my broken wrist has healed and I am playing again. I have a few great new songs ready to be recorded, well two of them are ready to be recorded, I’m still working on the guitar solo for the third which is a jazz song.

I’ve said many times that you should sign up to your Performing Rights Association. I’m a writer member of APRA (If you are in the USA you can join either ASCAP or BMI) which looks after Australia and New Zealand. Actually I wonder why it isn’t called ANZPRA? As well as making sure that you collect your performance royalties, they do lots of other things like putting on the awesone S3 Song Summit Sydney which I went to and blogged about last year. They also support and sponsor lots of seminars like the one I went to at Depot Artspace yesterday.

Now I have of course recorded in a studio before, but this was a great workshop with the opportunity to learn more about recording, mixing and mastering. There were a couple of things that I came away with that I thought I would share with you.

First of all, with the economy as it is, many studios are quiet and you may be able to negotiate a deal, even if its just some extra practice time. Rates seem to vary from $25 an hour to huge sums. Don’t just go on price because you may get what you paid for, although some people may be very good, but either getting started or just want to help fellow musos or gain experience. So cheap doesn’t necessarily mean poor quality.

A key bit of advice is to hear some examples of their work. Also see if they have experience in your genre.  Someone into electonica or heavy metal might not bring the best out of country or a solo singer songwriter with just a guitar. But then they might too. Anyway check what they have done and ask if they have testimonials or any hits under their belt.

Another good bit of advice is to collect a selection of tracks of artists whose sound you like and you would like your track to sound like. Then you can take those tracks to the studio for the team to listen to. You can say, I want my track to sound like that. The guys at Depot Artspace, said that if you do that, they will be able to come close, although of course a lot of it is up to y0u.

There was some discussion, instigated by me, as to what costs to expect for mixing, mastering etc. I wont preempt any pricing but you should be leaving at least a c0uple of hundred dollars. One of the suggestions was whether you were looking for a single or ‘just an album track’. I was surpised at that. Obviously some people want to put more into their ‘best’ tracks. The problem I have with that is that I want all my tracks to be the best they can be and often the track you like the best isn’t the one that becomes the hit. There is also the issue that in todays world of iTunes and downloads, its quite possible that most of your sales will be for single tracks. These days of most of the albums I buy, there are only a few tracks that I really like.

I’ve currently got my eye out for a few musicians that would like to record with me in the studio. I’m especially after a drummer and someone who plays pedal steel. I can’t pay them but they will get credit on the demos. I’ll do another blog soon about demos, this blog is about the studio.

For solo artists like myself (I do play with resident or jam bands but its been many years since I’ve been IN a band), keeping time can be an issue when you bring session musicians in. When  its you on your own people won’t notice if your timing slides a fraction and sometimes you even do it deliberately. I do that in my new jazz song Color Blind. If you can’t keep steady in a studio, it’s going to cost you time and money and annoy the other musicians. My Tascam home studio has a click track and I also have a metronome, but they are both so  boring and don’t give you the one beat. Fortunately my new Digitech Jam Man has a choice of 10 click tracks, they aren’t great, but much better than what I had before and I don’t mind playing with them. Maybe I’ll  be able to download some better samples. One thing the Jam Man doesn’t seem to be able to do is let you select the beats per minute, you have to tap it in, but I digress. The point is that if you make sure you are as ready as you can be, before you get to the studio, the better your result will be.

So shop around, do your homework, ask for examples of their work and ask liots of questions. People don’t work in recording studios for a job. They do it as a vocation. They do it because theyh love it. You will pretty much find all of them interested and happy to show you around and explain how they work. Remember, its about their reputation as well as yours.

How about leaving a comment and sharing your experiences in the studio?

Almost every time I’ve played a live gig, I get asked if I have a CD that people can buy and the sad and sorry answer is no, but here’s my card and you can visit my website at MySpace. Now there is my first error, you really should have your own website, but I haven’t found a CMS yet that is easy for me to use, but I will do soon. Anyway, even if you can’t afford to visit a studio, there are plenty of low cost tools that you can purchase, either software or hardware. I have both.  Now you can create your own CD.

I will also visit Go Daddy one of these days and get my own URL, which you can easily link to your MySpace or other page until you have your own. They only charge $9.99 for a .com domain. If you listen to the great Musicians Cooler Podcast, he has a number of promo codes that will give you a discount off Go Daddy services.

I’ll wait until I use up most of my business cards which have the MySpace address on it.

Anyway, back to the story. I bought myself a Canon iP4500 printer which will print directly on printable CD’s. It was very cheap and did a great job, except it doesn’t print all the way into the hole of the CD, which is a minor dissapointment. I checked the settings and they are set to the closest it will go.

I spent quite a lot of time on the image I wanted on the label and also making sure it was consistent with the insert cover and the theme of the Album which is Greenhouse. I thought I’d be able to find some good templates on Microsoft Publisher but was sorely dissapointed. Fortunately at a sale last week I found a software package called CD Covers and Labels for Dummies, which was as simple and simplistic as you would expect, but awesome value for $5! So I as able to use their templates and my images.

I put the title on the CD label and also in smaller print on the bottom Copyright Luigi Cappel 2009.

I worked out the order of the tracks I wanted, which I listed on the Album insert. I didn’t put in the song times, which I will probably do on the next batch, because if any of these do find their way to a radio station, they will want to know how long the tracks play for.

When I went to burn the CD’s using Sonic Digital Media Plus v7, I found (having wasted 3 CD’s) on testing them that the software had reordered the tracks alphabetically which meant I had to solve this problem because I wanted the tracks in the specific order to keep it relevant and interesting to the listener and I had already printed the inserts including the track listing. To solve this, I used the Rename function and numbered them in front of the song title. Now we were sweet.

Printing the labels was easy, although cutting them to size was a pain. I used fairly heavy paper so that it would look professional and not try to slide out of the case when it was opened. I used a guillotine and found it really hard to get the edges exactly right. Next time I’ll use a straight edge and a craft knife, which will be much easier. Also you need something for the back to fold the little edges which are the titles that you can see from the side.  Detail is important as even though the CD’s are home made I want them to look professional. The only thing missing is the shrinkwrapping, which I will have done later when I create more volume. There are plenty of places that will shrinkwrap for you very cheaply.

So just to go over the presentation. The front cover is consistent with the concept of the album. This album is called The Greenhouse Demo’s, because the songs are demo’s and Greenhouse is the title of Track 4. The cover art is a picture of a big block of Franz Joseph Glacier ice that is melting at a rapid pace. The title is very easily read on both the CD label and the insert.

On the inside of the isert I have a photo of myself (because the listener can’t late to you if they don’t know what you look like and the album is about building a fan base) holding a huge block of glacial ice which has melted and been washed away in the icy river.

On the back I put another picture of myself, this time standing on White Island which is an active ocean volcano and represents the global warming and the yin and yang of hot and cold. The other crucial data I put on the back is my email address and URL so that people can make contact with me, probably one of the most important things of all.

All in all, it was pretty simple. Everyone should have an album available, even if it’s home made, whenever you perform. I’m really pleased with how mine turned out and it looks more professional in my humble opinion than some that I have seen, made by ‘professionals’.

As a footnote, I was listening to one of my favourite podcasts yesterday while I was vacuuming the pool. it is Music Business Radio. The interview was with Meiko, who I strongly recommend as a good listen. I love the song Boys with Girlfriends. Anyway, on the podcast they have a section called Dave’s Demolition Derby where they get their guests to review 3 songs hat listeners have sent in for critique. I can’t remember her Manager’s name but he used to be an A&R man and made the comment that Record Companies and others get loads of unsolicited CD’s in the mail and some of them look really cheap and nasty.  If you hae to pick a few of them for a quick listen, which one do you think will get an airing, the one with a CD which someone has written on, something like My Cool Song, or one that looks like it was purchased of the shelf of your favorite CD store?

I have just finished the first draft of my latest song, which is called Pack and Run and I think it is one of my best so far. I need to still do some work fine tuning the lyrics. Often I am too impatient with a new song and want to record a demo as soon as I have finished writing it. I will try to be patient and work through it some more. It would be a shame to rush a good song when it could be a great song.

This is probably something that most writers should think about. It is easy to write a song and then consider it finished, but there is so much to consider at this point, especially if you want great songs.

Is the structure consistent? One of the first things I do is take my scribbles out of my songwriting spiral wound notepad and key it into word, complete with copyright details and the chord structure. I have 2 of these, one which is in my bag all the time in case I come up with great ideas when I am away from home and the other sits at my music desk.

I also record it while I’m writing on my Belkin Tunetalk so that I can’t forget the melody or the sound I achieved. This is important because I often use unusual inversions and positions that I will forget unless I can record them, as I am not great when it comes to notation outside of the common chords.

I also look to see if I have things in the correct order. As Pat Pattison taught me, often songwriters write the last verse first, but don’t realise it.

Does the rhyme work? Is it consistent? Is the tense consistent? Am I consistent in the person I am talking to? Does the hook work? Is the hook in the chorus? Is it repeated enough so that the hook works? Is the hook consistent with the song?

While I was writing, I was also hearing the accompaniment. I don’t think this is a pop song, but it could have legs on the Country charts.  I do hear harmonies in the background, maybe Eagles style and I already have in my mind the way the song starts with just a single guitar, then vocals, then bass, then the rest of the band which is probably just another guitar and drums.

Does it need a middle eight? I don’t know, but it could, now that I think about it, I could put in a bridge. The song is about a guy who finds out his partner cheated on him and how his love was blind and he wouldn’t listen when his friends tried to tell him.

A bridge would give me the opportunity to add an extra element, perhaps after he has left her and looks in the rearview mirror of his car while he is driving, hoping that isn’t her in the car behind, wondering if he will ever be able to trust someone again.

Another question is who the target market for the song is. I think this song would fit someone who likes Don Henly (who has a new album out by the way, called Inside Job), the Eagles and probably and older audience, not teenagers but probbaly anyone from mid 20’s on who has perhaps had a few knocks, not in short term relationships but longer standing ones. Someone that is a more discerning listener, not into bubblegum music, but music with good melodies, good chords and a rich sound. I’m not sure exactly what the genre is, it’s country in the way that Eagles is country, but it’s contempory as the Eagles are. Can someone help me out and tell me what genre they think of the Eagles as?

Anyway, those are things I’m now thinking about. I’m also thinking about imagery. These days so much of music is about imagery and not just the word pictures a songwriter creates, but imagery I can put into a music video or slide show.

If there are any fellow songwriters reading this, I’d welcome your thoughts on this, when you have written a song, do you call it finished, or is that when the real craftmanship begins?

December is only hours away and I have just entered my song Another Stretch in Iraq into the Paramount Group’s Christmas Song Competition. Why enter a song about a soldier going back to the Iraq War?

I couldn’t think of anything more poignant than soldiers in the field opening up a parcel from home which has a miniature Christmas Tree in it. The men and women will be thinking of home, wishing they could be with their friends and family, just as they would have at Thanksgiving. Just as their families and friends are thinking of them, wishing they were at home, hoping they will come home safe, sound and soon.

The concept of soldiers going to war with pictures of their loved ones helping them keep it together and coming home finding their loved ones have moved on in their absence is not unusual and while it is tough, the strength and security of knowing your fellow soldiers have your back is in a sense even stronger than your home relationship because their support can be the difference between coming home alive or in a body bag. The memories of experiences in the field can not be fully understood by those who have not served in the field of war. The worry of those at home waiting and praying for their men and women is also a unique feeling, worrying every time the mail is late or the doorbell rings late at night.

So while my Christmas song is not about sleigh bells ringing or Santa coming down the chimney, it is about love and family, about fellowship and trust and about being alive, that special way of feeling alive in a world of uncertainty.

Now I haven’t been to war, I’ve been lucky to have come of age between wars, but plenty of my family members have served in times of peace and war.

I did spend 6 months or so researching it and the reaction of men who served in Desert Storm when I performed it in the US last year suggest that I managed to capture some of the feelings.

It must be pretty tough for someone to want to go back to the Bradley (personnel carrier)

I'd rather have my Bradley

and the MRE rations (Made Ready to Eat) having gone home to the girl or guy they felt they were fighting for and finding they now love someone else. But the story has probably happened a hundred times to soldiers in the last year and to thousands before them.

So, I give to you and the judges of the Paramount Group songwriting contest, Another Stretch in Iraq and hope that they see my Christmas Song entry as a piece written full of respect for the men and women whose blogs I read and commented on at the Milblogging Site and the diaries of Desert Storm which told their story in their own words. This isn’t a song of war, but a song of people who do what they feel they must and what they feel.

Merry Christmas to all those brave people fighting and peacekeeping on their missions around the world. You and your families have my deepest respect. May your stretch be short and your Christmases with your families holding each other around  the tree be many.

Another Stretch in Iraq

(you can listen at MySpace)

©Luigi Cappel 2007

1

I was walking on an empty street

My feet were marching to a lonely beat

I had you on my mind.

I kept on walking though my feet were sore

There was no procrastinating I could take no more

I wanted to leave you far behind.

I served my time on the sand in Iraq

While you were making hay with my good friend Mark

How could I have been so blind?

Thinking of you helped me keep my cool

Little did I know you played me for a fool

Feel like I’m gonna lose my mind.

Chorus

I might as well sign up for another stretch

There’s nothing left to keep me here aint life a bitch?

At least in the army I know where I stand

Serving my country in a foreign land.

Sit-rep says its all haywire

Its home where I got shot by friendly fire

I’m going back

Home is where I thought I wanted to be

Now I’d rather have my Bradley and an MRE

Even in Iraq

Bridge

It’s a strange old world we’re living in

Don’t know who you can trust

Don’t know where to begin

Now I’m gonna live my life one day at a time

So its Christmas time and the desert is cold

My life is with the army if the truth be told

They’ve got my back

My mom and dad sent a little Christmas tree

They said that they were praying for the boys and me

They said get yourself back on track

Chorus

I might as well sign up for another stretch

There’s nothing left to keep me here aint life a bitch?

At least in the army I know where I stand

Serving my country in a foreign land.

Thanks so much for reading my blog. If you know someone who would appreciate this blog, please send them a link. Please feel free to leave a comment, I always welcome feedback. If you are inspired by this, check out the links, its not too late to contribute to a Christmas Parcel. The guys who blog at Milblogging also appreciate feedback and knowing that even total strangers are thinking of them. Finally wish me luck with my Paramount Song Competition entry, I’m keen to grow my career as a songwriter and a competition like this could be a leg up.

Posted in army, Christmas, Christmas Songs, christmas tree, Composer, Entertainment, iraq, Live Music, milblogging, military, Music, music distribution, music fans, Music Marketing, music website, MySpace, new zealand, pr, Promotion, soldiers, song competition, Song Hook, song ideas, Songwriting, songwriting information, Uncategorized Tagged: another stretch, another stretch in iraq, army ration, body bag, bradley, christmas parcel, christmas song, christmas song competition, December, desert storm, fellowship, iraq, iraq war, luigi cappel, made ready to eat, marching, merry christmas, milblogging, mini christmas tree, miniature christmas tree, mre, off to war, paramount group, personnel carrier, romance, sand in iraq, santa, serving my country, sleigh bells, soldiers, soldiers christmas parcel, song competition, songwriter, thanksgiving, trust, un, us, USA, yellow ribbon ]]> http://aboutsongwriting.wordpress.com/2008/11/30/another-stretch-in-iraq-my-christmas-song/feed/ 0 Luigi Bradley http://aboutsongwriting.wordpress.com/2008/11/22/weaving-a-story/ http://aboutsongwriting.wordpress.com/2008/11/22/weaving-a-story/#comments Sat, 22 Nov 2008 00:52:47 +0000 Luigi Cappel http://aboutsongwriting.wordpress.com/?p=140 ]]>

Many people will tell you that there are 2 key ingedients in writing a great country song, the first is telling a good story and the other is roping you in so that you get emotionally involved in the story.

Today I received a ‘friend request’ on my MySpace page from Kirsty Lee Akers. Her voice sounded a little like Dolly Parton’s and that isn’t a bad thing. But this girl is from Australia and is totally her own person. She has some really good songs, covering a range of topics that show up her talents and belie her age, but one of them prompted me to stop what I was doing and really listen.

Any song that really makes you listen and can evoke emotions the way The Territory did in me, shows great talent. Kirsty Lee has a great voice, clear and crisp, but what stands out is the story which even without a great video is very moving. Another thing you should do is have your own website and hers is crisp, modern and yet you get the impression that she is sharing herself with you.

I recommend a close listen to each word for an example on how to craft a great song.

When i was a tiny tot there was a song on a record that my parents used to play, the group was Peter, Paul and Mary and the song was Buddy Can You Spare a Dime. I used to sing it and thought it was about a guy down on his luck. Sort of like the old Blues standard, rejuvinated in recent years by Eric Clapton, Nobody Loves You When You’re Down and Out.

Here’s a great version by Tom Waitts

I really liked the lyrics, “Don’t you remember, you called me Al? Iit was Al all the time, don’t you remember, I was your pal? Buddy can you spare a dime.” Now that I know those lyrics were written by Yip Harburg in 1931, it makes more sense.

We’re in the Money came out just after the depression, but I never paid much attention to the lyrics. I just thought it was a happy song from a stage musical. “We never read a headlne about breadlines today. And when we see the landlord, we look that guy right in the eye.” Written by Songwriters Hall of Famer,  Al Dubin and Harry Warren’s catchy tune in 1933, ring a little more poignant. Especially when we read in our newspapers that middle class people are now starting to line up for food parcels at Foodbanks around the country.

It’s funny how we are out doing our Christmas shopping and not yet realising what’s going on. IK had a look at Big Boys Toys,  my favourite expo today and  the show seems to be a good 25% smaller than previous years and there appears to be more tyre kicking than buying from the reduced crowd.

Then there were the  blues, but I won’t go into that. I want to know about the songs of the 21st century. There bwill be lots of stories in the papers and on the streets. Today’s blues will probably be Rap and Hip Hop, but the concepts will be the same.

I can’t text you babe

My account’s been cut, I’m flat on my ass, no money for gas, I thought I was fine, can’t even afforfd to rhyme.

I’ve noticed that a number of people who read my blog recently found me by putting in a search query on the search engine, asking how to write a Christmas song. They found me because of a blog I wrote back in August, saying that was the time you needed to write it.

That blog covered lots of topics you can write about, but I just wanted to add one for those of you who are now inspired. It’s too late to record something to go into a Christmas stocking unless you are burning it yourself, which is a good idea. You could also send a song as a Christmas present to your friends, family and fans as an MP3 Musicgram, which is a cool idea. This site allows you to upload songs and send them to a friend. I’ve tried it myself and it was very cool.

Anyway, I just wanted to add one very important point. If you disect the songs that populate the hit charts, you will find a major difference between the average singer songwriter song and the hits. That is that a hit song usually has a happy theme, like “I’ve got a new guy/girl and I want to tell the world.” “Now that I’ve found you”. “I’m in love”.

Many singer songwriters write about the one that got away and are being what Ralph Murphy calls the typical singer songwriter, a self indulgent writer who writes to get things off their chest (which is fine if that’s what you are after), but most people want to listen to songs that are uplifting and what more uplifting is there than “I’ve got you and that’s all I need for Christmas”. Think about the songs that you have on your stereo or listen to on the radio on Christmas Day to set the mood.

Sometimes you can do something a little more melancholy with a Christmas tone, but it probably won’t become a popular Christmas song. There are ways to add some special sentiment. For example in my song Another Stretch in Iraq, there is a mention as follows (about the tradition of sending miniature Christmas trees to the troops):

‘It’s Christmas time and the dessert is cold

My life is with the Army if the truth be told

They’ve got my back

My Mom and Dad sent a little Christmas Tree

They said that they were prayin for the boys and me……..’

Check out this list at Lyrics Vault for the top Christmas Songs of All Time and you will see that they are pretty much all uplifting happy songs full of Christmas Cheer. Of course there is a place for sad songs, but if you want to write a hit, write one in a major key with a lively beat and chuck a few sleigh bells in the chorus.

If you really want to be a little melancholy, you can still turn it into positive. Live Aid’s Do They Know Its Christmas did a great job of telling the sad story and what people could do about it into a happy one. It is just as popular today as when it came out in 1985.

watch?v=stNGHiscETo

For those of you looking for an idea for a song, the events today deserve many. The day that America elected a Black President. I’m not an American and although I am deeply moved, my experience is second hand. I can’t do this song justice.

I marched against Apartheid in South Africa having previously seen segregation there at first hand as a young boy passing through. I heard them sing We Shall Overcome. I heard Huddy Leadbetter (aka Leadbelly) sing “White men in Washington, they know how, throw a colored man a nickel to see him bow.”

I heard Martin Luther King say “I have a Dream” I loved the “Has anybody here seen my old friend John” when the child is asked what racial prejudice is and he answers “I think it’s when your sick”.

My late grandmother would be weeping today. She was a famous Dutch / German author and fellow of the Goethe Institute who wrote a book called “The unfinished life of Malcolm X” and was deeply moved by the struggle against prejudice of all kinds.

Although some people looked at me sideways when I was the only white man in several blues clubs in Chicago, I can’t begin to imagine how people of all persuasions are feeling today. This is a momentous day and I am hoping for some momentous songs.

I don’t usually suffer for a lack of ideas to write songs about because I am always open to them. I read lots of books and always find a way to keep notes or make sure I can find my way back to lines that caught my attention.

I recently found a highlighter that also has a Post It flag dispenser in it. This means that with just the one device you can highlight your notes and put  flag on the page so you can find it again. Many of the books I read, especially non fiction, are full of Post It flags.

I also found a card of different colored Post It flags which is like a bookmark, so I often carry that with me as well, especially when I am travelling. Really handy when I’m on a plane and I’ve forgotten to take a pen out of my jacket which is now in the overhead luggage compartment and I have thewindow seat.

Something else that you need is something to take notes on, or even write lyric ideas. You need to have this anytime, anywhere. I have 2 lyric books, which are A5 (half an A4) and ringbound, so I can easily fold it around and write on both sides easily. Sometimes, such as the previous example, I don’t have quick access to it. I often carry around a blank A4 sheet of paper in my jacket as well. If neither of those work, I use anything and a common one for me is the back of a business card. It’s amazing how much you can fit on one of those if you are desperate.

Sometimes you are in a position where you have to memorise what you have written, such as when you are in the shower.  Then I go back to the rote memorisation I learned at school, just repeating it over and over again and hope that I don’t get distracted by anything or anyone before I can get pen to paper. That’s what I did with my new song that I am still writing, ‘When Madison Smiles’, but now I’m digressing.

Basically what I wanted to share is that the books you read are full of ideas that you can write songs about. The key to me is a subject that touches you strongly, or that you have a strong opinion about. Good songs are written with passion and from the heart. If you keep that in mind when you are reading, writers block should not be an issue. Of course if you don’t read books, magazines and newspapers are also great building materials to grow ideas from.

The most importand things are:

1. Be open for new ideas all the time
2. Have a way to highlight or find the idea again later when you need it
3. Keep paper or books and a pen or pencil handy at all times, even when you are in bed asleep, especially when you are in bed asleep and this is often when you are most creative.
4. If you are really organised, find a way to catagorise the texts you have highlighted. Coloured tags could be a way to do that. Most songwriters though don’t tend to be that well organised in my experience, but you should consider whether you are writing for fun or as a hobby or as a mental health tool, or whether it is a business or career, If it is the latter then you should treat it the same way as you do a job. If you are doing a job, of course you have the right tools on hand.
5. Finally, if you do become successful and maybe even famous, the paper you originally scribbled your lyrics on could become very valuable, as collectors items although not necessarily to you personally, but perhaps your children or other important people in the future. For example someone made 1,000 prints of the John Lennon song ‘Little Flower Princess’ from his original writing and is selling them for $150 EACH at eBay right now!

Some time ago I was told about Pump Audio, but I hadn’t checked it out until now. I’ve been using Sonic Bids for some time and I suspect if I lived in the USA, they would be really good for me, but I haven’t seen any gigs in New Zealand to aim for and very little in Australia. Don’t get me wrong, I think Sonic Bids is great, it just hasn’t been able to do anything for me.

My focus and goals are as a songwriter rather than a performer, although I do love playing to an audience. This means that my needs are to get my songs to a market, but my market is performers more than listeners which presents a problem for me. I’m not sure whether Pump Audio can do anything more for me, given that they are really looking for high quality finished product. My recordings are samples and I typically look for a way of presenting my songs that opens a door for the artist / singer to put their own personality and interpretation into it and l feel that by recording to the highest quality makes it more difficult for it to fit into someone else’s style, thereby reducing the size of my potential market.

The thin with sites like Sonic Bids is that you pay for each submission and that can add up pretty quickly. I must say that they give real value for money and the work they do is worth every cent they charge. The problem for my needs is mostly that they are US centric and more gig and song competition focussed. I will continue to use them for competitions or opportunities when I plan to travel to the US again.

So back to Pump Audio. First of all from a credibility perspective, they are owned by Getty Images, who purchased them in June last year. Getty are a world leader in photography and imagery and having just received a healthy check for a photo they bought from me recently, I know at first hand that they are serious about their business.

You can’t send Pump Audio MP3’s (except for the first couple which are an audition to see if they good enough), they are looking for high quality CD’s. The first benefit in my opinion from this is that it removes the tyre kickers who submit every song to anyone who they think will listen, and of course most of them don’t. You have to make an effort to send them your music.

You don’t pay unless they sell your music and then you get paid 50% of what they sell it for. This sounds a lot, but when I think of the money I have paid for other submission services that got me no money, this way they are motivated to move your product and if your product is good, you will get your return.

You keep your song rights (IP) and their deal is not exclusive, so you don’t have any barriers to also offering your music to other buyers. They cover a variety of media and say that last year alone they placed over 80,000 items to TV alone!

If you have high quality recordings on CD, I would highly recommend giving them a go.

In the meantime I am working on my latest song which is another song about dads and daughters, really about babies. It’s called When Madison Smiles and hopefully you will find it on my MySpace and Music Forte sites before too long.