A blog about songwriting and about the songwriter Luigi Cappel

Posts tagged ‘jimmy webb’

Who do I sound like?

There are lots of sites where you can post your music and one of the ways people find you is when they are looking for people who sound similar to one of their favourite artists. MySpace has that feature. Last FM is built around that concept.

Last FM is like your own personal radio station that tries to come up with the music you like. It’s free, which is great and when you listen to music you can rate it, love it or ban it and the station will eventually evolve into exactly the kind of music you like. You can get it to start playing music by selecting an artist or a topic. If you want to listen to songs about Christmas, just key in Christmas, if you want to listen to my songs or artists like me, select artist and enter Luigi Cappel.

As a songwriter, artist or band, you can set up your own site where you can upload your music and videos and people can listen to your music. Just go to the Music Manager section and start creating your page. I have 1 1/2 albums up there so far. Greenhouse and Reflections which is only half complete so far.

So here’s the problem. I have entered 3 artists who have influenced me, particularly on certain songs. They are Don Henly (in particular my song Only Memories Survive), Willie Nelson and Jimmy Webb. The problem I have is in being objective when I listen to myself. So perhaps you can have a listen to some of my songs on one of my sites and tell me who you think I sound like. You can here them at Last FM by entereing my name, you can hear some at MySpace and more at Music Forte.

If you can be bothered, it would be great if you can give me feedback on what artists you think I sound like so I can add them into my sites to help people who like those artists find me. I’ll be happy to return the favor of course.

There are many benefits of understanding who you are like. If you know who you sound like, you can look for gigs where people like that kind of music. You can get a better idea of who to pitch your songs to as a songwriter and you can guide potential fans to your music online.

Advertisements

What are the fans listening to? How to get your hitsong.

Some great advice I picked up somewhere was that if you want to write a hit song, you need to know what people are listening to. Whilst its true that there are song pluggers and the radio is very much influenced by the record companies, the fact is that if he radio are regularly playing songs, whether it is because they have an incentive or for any other reason, the net result is people listen to them.

I think it was Jimmy Webb at the S3 conference who said that if you listen to a song at least 5 times, it will grow on you and you will start to like it. This is a formula that they use to get you to buy or follow a track. The lyrics become familiar, the hook becomes entrenched in your mind and if it is pleasing to you, you may well find yourself singing along.

Hit’s are here the money is in songwriting. If you write a hit song, you will be well remunerated and also you will become noticed and in demand by artists and their team, looking for a new song, hoping that you weren’t a one hit wonder.

So is there a magical secret? Magical no, but the key thing is knowing what people like, what are they listening to today. It’s easy to find a market for your songs in today’s world with so many internet vehicles like MySpace, FaceBook, iTunes, Music Forte and hundreds if not thousands of others. But these are less likely to get you a hit for music’s sake, than the radio, which isn’t going away anywhere fast. Radio plays mainstream and mainstream is what it means, i.e. what most people are listening to today.

So in my humble opinion, if you want to write a hit song, rather than (as Ralph Murphy says) be a self indulgent songwriter, writing songs to play in bars after 10 P.M. when people are drunk or t least merry and mostly don’t care, you need to write something different. Something uplifting, which is often very different to what the average songwriter puts together. Murphy says that the hits are the songs that people listen to on the way to work in the morning when they want a lift.

So the first thing to do is to find out what they are listening to. I live in New Zealand, so if I want to write a hit song for the local market, I would go to RIANZ. “The Recording Industry Association of New Zealand Inc (RIANZ) is a non-profit organisation representing major and independent record producers, distributors and recording artists throughout New Zealand.”

RIANZ publishes the weekly New Zealand Top 40 Singles Chart. “The Top 40 Singles Chart is compiled based on a 75:25 split between physical / digital singles sales figures and radio play information gathered by radio data collection agency Radioscope.”They also publish a number of other charts including the Top 10 Radio Airplay Chart.

Like all charts they show the position this week, last week and weeks on the chart. A quick look through these will tell you what is popular in your local world. These charts are a mixture of everything, local and international. To give you an idea, the Top 40 as at Monday 28 July included 5 local acts and Number One on the chart was Phil Collins, In The Air Tonight which this time has been on the NZ charts for 21 weeks! Always on My Mind by Tiki Taane is number 3 still and has been on the charts for 14 weeks.

In my opinion, Always On My Mind is very much a polynesian sound and will be hugely popular locally with our youth and with a reggae flavour has some legs internationally, but I can’t see it being on the charts at Billboard, the other place I look to see what is popular, especially on the Country Charts because Country Music has a huge following in the USA, my major songwriting target market.

So now you know what people are listening to on the radio and what they are buying. What do you do next? Subscibe to my blog and I will tell you more, this isn’t a book after all lol.

If you think this blog is helpful, tell a friend. If you want to hear some of my songs, check out my MySpace page. Oh and please do leave a comment. Is my blog intesting? Is it helpful? Are there things you would like me to write about?

Join your Performing Rights Association

Your Performing Rights Association can be very important to you in a number of ways. They assist you with protection and ownership of your Intellectual Property IP) and most important, they collect and distribute performance royalties on your behalf. They do much more than this, but this is the key reason for their being.

I am a member of APRA which is an awesome association covering the rights of New Zealand and Australian songwriters and composers. Venues pay them a fee for live gigs and radio stations provide them with playlists so that they can process royalties for radio play of songwriters work. APRA also works closely with their counterparts around the world, the biggest being ASCAP and BMI which are the 2 societies in the USA. You will find loads of great information on their websites, even if you don’t live in the USA. They also run amazing seminars with some of the best songwriters ever.

When I play a gig, I put in an electronic return on the web site, with the venue details and my set lists and the following I get paid. It’s not a lot, but the more you gig, the more royalties you get. You also get paid whenever your tracks are played on commercial radio. Ironically at the moment I get no play in New Zealand, but you can hear some of my songs on the radio in Canada.

APRA also puts on training seminars and as of this year, they started the great new event S3 (check out the link from my other blog about this event Song Summit Sydney) which was a fantastic learning and networking exercise. They even let me pay for my registration from my future royalties. This is no small event with speakers including Jimmy Webb, Paul Williams and my fravorite Ralph Murphy.

APRA also sponsors the APRA SIlver Scroll Awards which is the major music event of the NZ calendar.

On top of this they are greatt people and from the directors through to the team in the office, they are there to help us as artists in any way they can. You can even use their premises for meetings (relevant of course) if you need some space. APRA people are there first and formost because they care about local music. You should find out who your PRA are and join them as soon as possible. You won’t regret it. This organisation’s sole purpose is your rights an outside of running costs, all revenues aer distributed back to the artists.

Oh and I almost forgot, their website is full of useful information and contacts as is the APRAP, a magazine I always look forward to reading.

Tag Cloud