A blog about songwriting and about the songwriter Luigi Cappel

Posts tagged ‘Songwriting’

Sieffe La Trobe – RIP

I’ve had a rather surreal day.  Over the last week I have been working flat out to finish my new eBook, nothing at all to do with music. It’s all about using location based services to help when you’re buying a house. Anyway I had just finished the draft and contracted someone to create a book cover design for me and went to check my email.

In the email was a message from Titirangi Folk Music Club, saying that Sieffe La Trobe had passed away and sharing the funeral details. The email was sent last week, but I was reading this an hour and a half after the funeral had started! I sat at my desk trying to take it in and couldn’t. The email said that there would be a remembrance and music afterwards at a church in Henderson. I told my daughter and she said GO and next thing you know, I’m on my way to Henderson with my guitar.

How do you process this? I arrived and sat in on some great music with fiddles, dulcimers, guitars, mandolin and more, with jigs, reels, folk songs and contemporary music and left it to my fingers to decide which ones to join in or not.

I saw a few old faces but its been so long since I was in that scene that I didn’t remember many of the names. Many I hadn’t seen for a couple of decades.

I don’t know how long I’ve known Sieffe. Going by this story on NZ Folkies, it was before 1984 because I remember visiting him in Fort Street when he was just setting up Fat Sparrow Studios. I still have a frame he made me somewhere that I used to swap photos out in every few days.

RolandG-707

RolandG-707

I remember the little shade of envy when he got himself a Roland Guitar synthesizer. I’m not positive, but I think it was the same as this one. He complained about the delay, but said that it really made you lift your game. I remember thinking I could live with that problem.

I remember, like him riding around on motorbikes with a guitar strapped to my back, folk festivals, clubs, good times.

Last time I saw Sieffe, he was jamming at the Coatsville market. It’s probably been 2-3 years since we jammed together.

I finished this song a while ago and it now has a rap bridge. Seems like its haunting me. A wake up call. Daylight saving started on Sunday. I hibernate in winter, don’t like playing in cold bars. I’ve been too busy working, not playing my guitars. Time to fix that:)

So while I didn’t write this one for you Sieffe, next time I’ll perform it in your honor.

Another Man Has Gone

V1

On the streets of Avondale

Wearing the tread off my shoes

Don’t you talk to me man

Can’t you see I’ve got the blues

My heart is breaking

Cancer called again

Another man is gone.

Chorus

Another man has gone

Life will never be the same

Another man has gone

How do we go on

V2

A brother comes along the road

So drunk he can hardly stand

He looks me up and down and nods

Then he shakes my hand

Life runs in cycles

And they have to end

Another man has gone

Bridge (rap)

I’ve been walking down these streets so long that I can’t feel my feet

But I can’t stop because that’s getting real, accepting the deal

The ache that I’m feeling

I’m reeling one minute you’re there then you’re gone and I can’t stop

Because that’s getting real, accepting the deal

V3

Now I’m on a back street

Man is glaring at me

His eyes are throwing daggers

Maybe he thinks that I’m a D

But I’m just a sad man

Walking misery

Another man has gone

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Its Music Night at #SMCAKL

It’s music night at Social Media Club Auckland and I was thinking about that and a radio interview I have coming up with Stephen Horton AKA Rezinator on The Highway of Dreams on the 1st of July.

In the shower, where I start my day’s planning I was thinking of all the things I needed today and started thinking about what I wanted to do. That’s play more music, write and record more songs and start gigging again. I’ve been so busy working this last year that my music has played second fiddle and this blog has been sitting in the back room where the guys tune up before getting on stage.

So here we go, another blog and hopefully the start of many more and maybe you’all will come back for more.

Gibson Factory

Yep, that’s me:)

I have to work out which tracks to share on the radio show and am wishing that I had done some more recording because since I recorded the songs which you can hear on my Reverbnation page, they have matured a lot, with rewrites and practice. One of the things that often happens as a songwriter who doesn’t perform much any more is that as soon as you have finished your latest song, you move onto the next one.

I’ve been stuck on one of my latest songs until last weekend when I had a bit of a blow out. I can’t share the recording with you yet, because it is still rough, but I can tell about it. It’s a rock, reggae, blues number with some rap in the bridge (yes I have genre fatigue) and I’m going to need some help with it.

My friend Charly Nice will hopefully add some of his awesome sax to the song as he did on You Oughta Run. I’ll need some help with the rap too. I know what I want it to sound like, I’ve got the phrasing, but not the voice for it. What I’d really like to do is make a music video of it, take you down those mean streets, but of course that means funding from somewhere.

I guess its taken me a long time to write it because it is based on the day my father in law died after his second bout with cancer. It chronicles a walk I made around the streets of Avondale, his final resting place. It’s probably taken that long for me to deal with it.

If you follow the lyrics you might get a gist of the story, but it will take a good recording and video to really share the story so you can feel it. Like walking past a rough pub and seeing a guy covered in ink, drunk as a skunk, with a beer bottle in his hand and a scowl in his face, who makes you feel like you should cross the road quick-smart and then extends his hand in a warm brotherly shake. That was like Auckland weather, all emotions in a couple of minutes.  If you’ve been in a similar situation with someone you cared about and then walked through a neighbourhood made up of some awesome and some quite scary people on a black day, you might relate.

Another Man Has Gone

V1

On the streets of Avondale

Wearing the tread off my shoes

Don’t you talk to me man

Can’t you see I’ve got the blues

My heart is breaking

Cancer called again

Another man is gone.

Chorus

Another man has gone

Life will never be the same

Another man has gone

How do we go on

V2

A brother comes along the road

So drunk he can hardly stand

He looks me up and down and nods

Then he shakes my hand

Life runs in cycles

And they have to end

Another man has gone

Bridge (rap)

I’ve been walking down these streets so long that I can’t feel my feet

But I can’t stop because that’s getting real, accepting the deal

The ache that I’m feeling

I’m reeling one minute you’re there then you’re gone and I can’t stop

Because that’s getting real, accepting the deal

V3

Now I’m on a back street

Man is glaring at me

His eyes are throwing daggers

Maybe he thinks that I’m a D

But I’m just a sad man

Walking misery

Another man has gone

So the writing is done. now comes arrangement and practice, then getting a team together to help record it.

So there’s my latest song-writing blog. If you come back I will too, OK?

Songwriting New Year’s Activity and Resolutions

So its 2011 and I have made some resolutions, the big one being to really work hard in my songwriting and I’ve started off the way I intend to continue.

My first blog for this year was about my new song God if You’re Listening and having given it a lot of thought in the wee hours, I am doing an about face which will hopefully head me off in the right direction, especially a week before my first Berklee Music Semester of the year, with the paper on Commercial Songwriting Techniques.

So here’s my first weakness which I aim to correct. When I write a new song, I record a demo straight away. That’s fine if you do it so that you can remember all the nuances, but I tend to want to upload it onto websites straight away before it ripens. The result of this is that:

  • I haven’t learned how to play it properly yet. This means that the recording sounds like what it is. What it isn’t is a quality demo. Just because I know how I want it to sound, doesn’t mean that it is ready or refined.
  • I haven’t run through my Song Quality Checklist from Music Publishing 101. The first question of which is “Does the title sound like a hit. My song from my last blog started off as Santa If You’re Listening, but I very quickly realized it was wrong for lots of reasons, including that the dominant theme was a woman talking to God. It also means that it is not just a Christmas and Country song, but also a Christian song.
  • I rushed the accompaniment which actually sounded rushed and boring.
  • I added more instruments than necessary which actually detracted from the recording. As I songwriter, I really need to focus on simple elements, vocals, one guitar and bass. If  I want to pitch the song to an artist, in most cases less is more.
  • The melody and phrasing always improve the more you play a new song.

So sometime soon I am going to re-record “God If You’re Listening”. In the meantime, I am going to do the following things:

  1. Work through my Song Quality Checklist.
  2. Create a song Admin Sheet
  3. Print copies of the song and chords for my 3 performance clearfiles
  4. Register it with APRA
  5. Analyse a hit song in a similar style from my ongoing list of 5 songs for analysis. Probably Temporary Home by Zac Maloy, Luke Laird and co-written and recorded by Carrie Underwood, because it is similar inasmuch as it was written to evoke emotions and because it is a very successful hit song.
  6. Then I will revisit my song to see what I can improve.
  7. When I am happy I will re-record it, put some copies onto CD and then submit to a number of websites.

The key point I am making is about treating my songs as a business product, because if I don’t no one else will.

New Song ‘God If You’re Listening’

So I’ve now finished the first cut of my Christmas song for 2011, which as the name of the blog suggests is called, God If You’re Listening. This started off as Santa If You’re Listening, which I wrote about in my last blog. It started as my 2nd to last Harmony assignment for the year. I finished it this morning, 1 January 2011 and recorded the first cut which you can listen to here. God if You’re Listening

I decided to change the name because God If You’re Listening is more generic and while Christmas makes the concept more poignant, and is a time that many people do lose their jobs, it could happen at any time to anyone. Most people will lose their jobs at least once in their lives and often when they least expect it.

Here are the lyrics. I hope you like it. I’ve sent the song off to someone who offered to master a song for me for free. I’ll wait a few days and see what comes back before putting it onto my favorite music sites. So you’re the first to hear the raw demo. Let me know what you think.

God If You’re Listening © Luigi Cappel 2011
Verse One
There’s a young boy on the corner sitting on a garbage can, his red rimmed eyes are looking at the sky. He says
Santa if you’re listening, can you bring my Dad a job? Since they closed the plant we’re barely getting by.
Chorus
Santa if you’re listening I sure could use some help my Mom is lying crying in her room
I don’t need no toys or such, I’ll just do my chores and please Santa can you make it happen soon.
Verse 2
In the bedroom sits his mother and she’s staring at the wall, her eyes glazed over can’t see through her tears, she says
God if you’re listening can you help my family? Our food is low and the rent is in arrears.
Chorus
God if you’re listening I sure could use some help, my husband’s tried most everywhere he can.
I don’t need no Christmas Tree or fancy clothes to wear, I just hope that you have a plan.
Bridge
The same could happen to you or me, if you see someone in misery throw them a lifeline if you can
It don’t have to be much, just a friendly hand and a loving touch can be all it takes to revive a weary soul, and she said
Chorus
God if you’re listening I sure could use some help, my husband’s tried most everywhere he can.
I don’t need no Christmas Tree or fancy clothes to wear, I just hope that you have a plan.

Christmas Hope Songs

So I’ve written a number of blogs about Christmas songs and a key point being that you need to write it 6 months out. A couple of years ago I wrote Another Stretch in Iraq which I blogged about here. This was my recognition of the men and women of the military who have served and are serving around the world. Following this year’s study it is going to get a major rewrite and new name, but the fundamental message doesn’t change.

Coming up to Christmas I was working on my second to last Melody Assignment at Berklee Music and decided to do it as a Christmas song. I haven’t finished it, but thought I’d share a couple of verses and chorus with you. I’m thinking it will end up with another verse and bridge before I record it properly, but hope you like the concept.

I am really into telling stories which will become obvious if you listen to more of my songs. So this one is about a family who have hit tough times and despite their own feelings are wishing for something good for someone else.

The exercise was point and counterpoint between bass and lyric melody. For the verses I’ve used Oblique motion where the dominant movement comes from the bass. In the choruses I’ve used Parallel motion to really draw attention to the emotion in the lyrics.

Hope you like it. All feedback welcome. You can hear it by clicking on the following link: Santa if youre listening

Merry Christmas to you and yours and many thanks for visiting my blog.

Rarotonga

I’ve just spent a week on the beautiful island of Rarotonga. Of course my guitar came with me and I deliberately turned my mobile off and stayed away from the Internet.

I was lucky on the way over, the woman at the check in counter had a son studying violin and went and asked her supervisor to waive the $75 for a second piece of luggage. Had to pay on the way back, but that’s how it is these days. If I had more legs on the trip it would have been cheaper to buy another guitar than pay the excess luggage!

Whenever I have a holiday, whether its domestic or international I try to write a song to remember the place by and Raro was no exception.

I bought a new video camera before I left. Haven’t read the manual yet, but I managed to take some video and photos. When I got back I got on to my trusty Tascam and recorded a couple of guitar tracks and the bass.

I was hoping the camera software would have a feature allowing me to add a soundtrack to the video clips but it didn’t. Fortunately when I came back, my computer wanted to do an update of Windows Live, which I don’t actually use, but I saw it came with Windows Live Video Editor, so I thought, “why not?”

Turned out to be really easy to use. I didn’t need to read a manual and figured out how to upload clips, edit them, do transitions, title etc and upload the soundtrack and match the video to the length of the track. This is all a first for me and I was pleased to see that Windows Live also included an upload to YouTube feature, so I now have a new YouTube Video.

I hope you will have a watch and let me know if you like the song. I’ve been wanting to do YouTube videos for ages and so far, bar one the only YouTube videos featuring me were done by other people.

So here is my view of Rarotonga. If you like it, please tell someone else (and me:)).

Harmony Assignment

If you follow this infrequent blog, you will be aware that I am studying at Berklee Music. I thought I would share my final Harmony Assignment here. Welcome feedback or questions. This was an awesome paper, led by Shane Adams. If you are serious about your music development I strongly recommend this paper and Shane as an awesome tutor.

I looked at Verse – Chorus, Verse – Chorus, Bridge – Chorus formula, but felt I didn’t have enough verses to tell the full story, so ended up with ABABABCB. It finishes in 3 minutes which I think is a good song length.

It uses verse/refrain with a full cadence which builds and emphasizes the title, which is also the hook. The verse makes use of repetition between 1st and 3rd lines and follows the same chord progression model in the 2nd line starting from the IV chord. The verses in effect make use of the Major-Key I IV Power Progressions.

In the melody lines I am making use of contrasting sections from one progression. I used harmonic variations of a melodic pedal in both the intro and the bridge which you can hear in the backing guitar. I also used a tonic pedal for the bass line on the 1st and 3rd lines of the verses.

The verses and chorus use full cadences from the IV chord to the I chord except at the end of the 3rd chorus, where I make use of surprising parallel key modulation with a D minor, instead of the D Major used in all other choruses. This allows me to lead to the bridge, which is in a different key and correctly placed between the choruses.

I used chord rhythm slightly speeding up the 4th line of each verse to help build power and progression to the chorus.

For coloring, the song is mostly in natural keys representing the happy times of the 5 year old. However the Major 7th’s allow me to introduce tension into the verse lines, the refrain going back to the natural chords, with the exception of the B minor (VI chord) I use to help resolve to the full cadence. The verse chord progressions allow me to emphasize that I’m telling a story. The D minor in the 3rd chorus introduces irony into the song, the minor chord leading into the bridge, which expresses sadness that life can’t stay that way.

In the bridge I started with a standard EMaj7, but replaced the G# minor with a G#5 and the A Major with A7Sus4 and A7.

I finished the final chorus with a half line repetition as a fade.

Life is Simple When You’re Five

Copyright Luigi Cappel 2010

Life Is Simple When You’re Five

Verse 1

D……………………….DMaj7……………..D7…….D6…
Summer seems to last forever for a boy of five

G…………………….GMaj7………………Em7………….A7…
Burning sand between his toes he runs into the tide

D……………………..DMaj7…………………..D7………………..D6..
He jumps and he splashes, wipes the water from his eyes

G……………………A7…………D…..Bm…G…………….A7………………D….
Joy is something you can’t buy……… life is simple when you’re five.

Chorus:

G………………..A7…………….D….G…………………A7….D…
Life is simple when you’re five, it’s so good to be alive

G……………..A7…………D………..Bm…..G………………..A7…………….D…
No cares or worries, never in a hurry, Life is simple when you’re five

Verse 2

D……………………….DMaj7……………..D7…….D6…
Autumn passes in a blur for a boy of nine

G…………………….GMaj7………………Em7………….A7…
Moving house from State to State, losing track of time

D……………………..DMaj7…………………..D7………………..D6..
As soon as he has made new friends he’s leaving them behind

G……………………A7…………D…..Bm…G…………….A7………………D….
His mind goes back to summer skies……… life is simple when you’re five.

Chorus:

G………………..A7…………….D….G…………………A7….D…
Life is simple when you’re five, it’s so good to be alive

G……………..A7…………D………..Bm…..G………………..A7…………….D…
No cares or worries, never in a hurry, Life is simple when you’re five

Verse 3:

D……………………….DMaj7……………..D7…….D6…
Winter seems to last forever for a boy of ten

G…………………….GMaj7………………Em7………….A7…
Father’s left, spends nights alone, mothers out dancing again

D……………………..DMaj7…………………..D7………………..D6..
When she’s back home with a new uncle its dark and 2 AM

G……………………A7…………D…..Bm…G…………….A7………………D….
Joy is something you can’t buy……… life is simple when you’re five.

Chorus:

G………………..A7…………….D….G…………………A7….D…
Life is simple when you’re five, it’s so good to be alive

G……………..A7…………D………..Bm…..G………………..A7…………….Dm..
No cares or worries, never in a hurry, Life is simple when you’re five

Bridge:

EMaj7#5…………G#5…………….A7Sus4……….A7……
A loving home where a boy can thrive, with fun and friends good times

EMaj7#5…………G#5…………….A7Sus4……….A7……
If only life could stay that way, let innocence survive

Chorus:

G………………..A7…………….D….G…………………A7….D…
Life is simple when you’re five, it’s so good to be alive

G……………..A7…………D………..Bm…..G………………..A7…………….D…
No cares or worries, never in a hurry, Life is simple when you’re five

G………………..A7…………….D…
Life is simple when you’re five

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